This series moves through layered terrains of pigment, pixels and sediment, where natural forms and human interventions fold into one another. Stratified colours, fractured geometries and digital textures suggest landscapes reshaped by extraction, speed and excess. The images do not try to explain the Anthropocene; instead, they stay close to its surfaces – eroded, edited, built up and broken down again. Each work is constructed in layers: photographs, abstract paintings and digitised marks are combined into dense, composite images. Sharp edges meet blurred transitions, and zones of intense colour sit next to quieter, almost erased areas, like traces of what has already passed. The result is a series of contemporary landscapes where nature and the human world can no longer be cleanly separated, only read as overlapping, unstable fields.